One of the conservative sites I like to read from time to time is Andrew Breitbart's Big Hollywood. The conceit behind the site is that it's primarily a collection of articles on political and cultural commentary written by conservatives in the entertainment industry, a fairly small crowd of folks, but with a spectrum of convictions (from libertarian to Objectivist to atheist to Christian to homosexual to etc., etc.) and coming from a range of professions and fields (screenwriters, authors, comics creators, musicians, etc.). Doug TenNapel frequently posts articles there.
Though my urge at the moment is to get screedy and political ("20/20"'s upcoming gun control propaganda piece which promises to tell us why the 2nd Amendment and self-defense are such foolish ideas immediately springs to mind, as well as a slew of President Obama-related behaviors and deeds), that's not really what I wanted to draw attention to. Besides, I alienate my friends often enough as it is.
No, instead, Big Hollywood contributor and screenwriter Russ Dvonch has written two articles on writing plot that I think are worth reading. In the first installment, he discusses the notion of hope and heroism in stories, drawing from such sources as "The Lord of the Rings" amongst many others. In his second installment, he discusses the notion of the moral as it relates to the plot, asserting that every story moralizes, every story has a moral point to make, and the question is not whether your story is going to preach a moral view, but whether it's going to do so aimlessly and messily, or whether it will do so convincingly and well. Given that the second issue is one I've personally struggled over for quite some time, it was refreshing and encouraging to hear someone with some writing experience under their belt explain these things with clarity and conviction.
2 comments
Also, why use a bad movie to make your point?
In this case, I think you need to justify your contention that "Jurassic Park" was a bad movie. It was financially quite successful, and is listed as 86% Fresh on RottenTomatoes.com.
So, you see, your opinion is wrong. It's a scientific fact.
The popularity and essential simplicity of "Jurassic Park" make it easy to use as an illustration for a brief article like this. It's something most everyone remembers seeing, and something most people think of as a special effects movie, so it makes a good model to point to and say, 'See, it's not just flashy FX; there's a moral being told here, too.' Based on his first article, I suspect that Dvonch would agree with you in saying that "LotR: Return of the King" would make an excellent source to study.
Anyway, the articles on that site are usually brief, so I don't think I went into it expecting a deep dissertation. I think I was just glad to read something on the topic of plot and moral theme from someone who had some commercial experience with it.
I think you're right about going into a story with the moral first, though. I'm with Lewis on this (like most things, drooling fan that I am) in that I think such an approach would result in something obnoxiously preachy, unpleasant to read as well as to write, and creatively stultifying. But it seems like a good thing to examine when you're going back over your first draft.
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